HAVING FUN WITH A NEW LENSE.

For years now I’ve lusted after a Nikkor 85mm f1.4 lens and finally one has come to live at Casa Creakingbones.

Years back I bought an adaptor so that  could fit my Hasselblad 80mm lens to my Nikon DSLRs. It made for a great combination, everything was back to manual in true photographic tradition and I gave my Sekonic exposure meter a new lease of life.

Problem was I missed the lazy approach to photography I’d developed since closing the darkroom and abandoning film.

Then, late last month I took advantage of Nikon’s generous cash back offer after I  raided  my piggy bank and surprise, surprise, had just enough coinage to afford my desired Nikkor 85mm f1.4.

Today I had a lot of fun with the new lens as I photographed my other passion, my Harley Davidson Heritage Softail Classic motor cycle.

As I processed the RAW images in Photoshop I saw that my reflected image popped up in a number of the images and I realised that I’d created a number of selfies. As you know, they are all the rage everywhere.

Of course I’ve now marked them as keepers and here are three examples to give you a bit of a laugh.

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AT f1.4 THE BACKGROUND IS DELIGHTFULLY BLURRED.

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JUST LOOK AT THAT FUEL GUAGE IMAGE.

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MY FAVOURITE; THREE FOR THE PRICE OF ONE, NOT COUNTING THE SHADOW.

On a serious note though, these three images  clearly show the difference between ‘looking’ and ‘seeing’ and had these images been for a client, they would have been totally unacceptable, resulting in the work being recaptured.

Of course, you know that the ‘selfies’ were intentionally captured and not the result of inattention brought about by excitement over the 85mm Nikkor f1.4.

That’s my story and I’m sticking to it.

Hoo roo for now.

 

 

HOW TIME FLYS IN A SHRINKING WORLD.

Seventy years ago next month, mum, dad and little me moved from the City of Sydney to the wilds of the Riverina in New South Wales.

It was 1946, the Second World War had not long ended and in the county particularly, everyone owned rifle or two.

I was six when my dad’s brother came to live with us and he took me under his wing.

The two brothers were totally different. My dad was an academic whose hobbies included books, classical Greek, Latin and Hebrew.

His brother on the other hand was a knockabout sort of a bloke who loved guns, hunting, fishing and mucking about with engines. He had also fought in the Spanish Civil War.

It wasn’t long before my uncle had me out in the paddock with his .22 calibre Browning rifle where, under his expert tutelage I learned firearm safety, how to shoot accurately over open sights  and the need to take head shots on rabbits.

The head shots of course meant that the bunnies were not knocked about  internally and when skinned and cleaned they were presentable and ready for the oven. The skinning was also my responsibility.

The years passed quickly and my love and use of firearms never diminished, helped along no doubt by a stint in the army.

Then, for a further thirty five years I carried a side arm every day as part of my chosen profession.

Gradually, my personal collection of rifles and shotguns diminished and after what became known as the Port Arthur Massacre in Tasmania, like many thousands of gun owners, I surrendered, with one exception,  all of my firearms.

Fast forward to a few years ago when I received a message from a gun loving mate who was leaving Australia to live permanently  overseas.

The purpose off his call was to see if I was interested in buying his significant licensed gun collection.

Boy oh boy, was I tempted. Then reality came to my rescue. Cameras, Harley Davidsons, Landrovers and other big boys toys had reduced the exchequer to a parlous state. However, I thought that his .22 calibre Winchester would suit me down to the ground.

He brought it in from the farm for me to have a look at it. To say it was in as new condition would be a gross understatement. Then he informed me that he could guarantee the rifle had only fired five rounds. I could see that the bore was pristine as was the bolt face and there was absolutely no slack in the trigger mechanism and the sear and bent were perfect.

The came the great surprise.

On the stock was a silver crest bearing the initials of the NSW Rifle Association, dated 1976, Winner 50 Metre Championship, R.J.Dove.

I told my mate I was interested and that I’d get back to him ASAP.

An R.J.Dove was a long time personal friend. I knew he was a shooter and a bower bird like me who couldn’t bear to part with important toys.

I phoned Mr Dove and explained the purpose of the call. He immediately responded by telling me that the Winchester had been stolen from his home years before, along with a number of other firearms. Naturally he asked me what I intended to do about his missing rifle and I said I’d get back to him, ASAP.

What a turn up when I contacted my other mate, the vendor. In response to my question about the Winchester’s provenance he told me that he got the rifle from his brother who in turn had bought it from R J Dove, a member of the same rifle club. My mate’s brother claimed that R J Dove had injured his shoulder and had temporarily abandoned Rifle shooting, taking up pistol shooting instead.

Back on the phone to R J Dove. After telling me that he had totally forgotten he’d sold the Winchester, he confirmed his sale of the  Winchester for exactly the reasons given to me by the current vendor.

Of course, I immediately purchased the Winchester after going through all of the rigamarole required by the NSW Firearms Registry before I could take possession of the rifle.

Now if you think that’s the end of this long winded yarn, you are badly mistaken.

Once a year our select littler group of motorcyclists meet at a different locations for a meal, a few beers and to plot and scheme our rides for the next six months or so.

R J Dove was one of those motorcyclists and She Who Must Be Obeyed and I thought it would be a nice gesture, after the get together, to present R J Dove with his long forgotten Winchester as a token of our esteem.

The time came, we gathered outside the pub around R J Dove, I reached into our vehicle,  produced the Winchester and handed it to him with the intention of saying a few words about it.

R J Dove didn’t give me the chance to utter a single word. He looked at the Winchester, put it back into our vehicle with the words,’That was an earlier chapter in my life. See you next ride.’

With that he walked back to his car and simply drove away.

Over the next few years, the shooting career of R J Dove never was mentioned, nor was the Winchester that still resides proudly in the gun safe in Casa Creaking Bones.

A month or so back, R J Dove passed away, aged 86. At his funeral service together with many of the congregation, I was amazed to learn that R J Dove had represented Australia at three Olympics, had been Australian Small Bore Rifle Champion for quite a number of years and was a highly esteemed member of the Australian Small Bore Rifle Association.

Over more than 20 years riding together, R J Dove had never mentioned his shooting prowess. Such was the measure of the man. Never one to boast or brag, R J Dove was multifaceted man and a very private person.

I am proud to have been his friend.

Here is an image of the plaque on the stock of R J Dove’s Winchester.

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Hoo roo for now

 

 

 

 

 

 

 

 

 

MY ALTERNATIVE ‘STUDIO’ SET UP.

For a number of years when I needed to photograph a small item or two I took the object/objects across the back yard and into my studio.

There, after  placing the item to be photographed in the light tent, setting up the studio lights around the tent, taking readings with the meter, setting the camera on the tripod, attaching the cable release , adjusting the focus then firing the lights and making the image I was ready to go back to my office in the house and play with photoshop.

Of course, before so doing I had to pack away the lights, fold up the light tent, a task requiring manual dexterity and memory searching in order to get the tent back into its tiny carry case, close up the tripod and put away the cables.

All this to photograph an oddment or two, a memento, a keepsake  or just an interesting piece off memorabilia.

During the last week or two our weather has been quite miserable to say the least. Tripping through deep frost across to the studio, camera and goodies in hand had very little appeal. Yesterday for example, the frost was thick and at around 8am the temperature outside was minus 2 celsius and would you believe, minus 5 in the studio before the heating was turned on.

That convinced me that for winter at least, an alternative had to be found as I retreated to the house.

Then, as I walked back to our centrally heated home and office,I, like many politicians had a thought bubble.

The office has wide floor to ceiling widows and natural light floods in for most of the day. There are also 6 ceiling downlights with a  fluro light to complement them. Then, in the camera cupboard there is a Manfrotto LED photo light and a couple of Nikon speed lights to boot. Why not use them in combination for lighting and not bother with the studio lights?

Being a bit of a bower bird, I’m loathe to throw anything away and in the cupboard I had the remnants of a grey backdrop from a studio  experiment that went pear shaped. I also had a long cardboard tube that had remained forlornly in a corner waiting to be called into duty.

Not only that, I had my old slide projector stand available and just by chance, a large piece of cardboard, almost 16% grey in colour poked away behind my desk. It was large enough to tuck nicely over the projector stand’s tray.

After a bit of mucking around I hung the makeshift backdrop against the bookcase, placed the projector stand in front and made the images that appear in my recent blog about the folding Nikon mini tripod.

For interest sake I thought you might like to see the set up in the studio, minus the studio lights which are securely locked away, and the improvised turn out here in the office.

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THE STUDIO LIGHT TENT MINUS THE STUDIO LIGHTS.
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THE OFFICE IMPROVISED SET UP.

White balance isn’t a problem as RAW provides a nice fixer if things don’t look right. The light tent image was taken under fluro lighting with the suitable WB in camera setting  whilst the office image was made with natural light.

As you can imagine, putting this office set up away is quick and easy meaning She Who Must be Obeyed can quickly get to her computer which you can see in the image’s lower right hand corner.

So, there we are, there are no cold hands and frozen feet from studio time and tranquility pervades Casa Creakingbones.

Hoo roo for now.

PS: my use of the word ‘pervades’ should not be interpreted to mean that my office smells like boiled cabbage.

 

 

 

 

A NIFTY LOW LEVEL TRIPOD/CAMERA BASE

Recently a mate who is a keen photographer emailed me some bumph about a product available in the States and Canada called a Platypod Max. It’s a light weight metal plate to which you can attach your camera complete with any size lens and place it safely on the ground or any surface with total safety.

Reading my mate’s email reminded me that sometimes I use a small folding Nikon tripod, fitted with a Manfrotto ball head and an Acratech  mounting plate for just that purpose.

The little  Nikon tripod when folded makes a great flat base and can be attached to any vertical or angled structure with a couple of elastic cords or Bungees as we call them here in the Land Down Under.

When the little legs are folded out it gives just enough height when shooting prone to save me getting a stiff neck.

This little combination firmly holds my Nikon D810 with its Nikkor  70-200mm lens attached  with absolutely no discernible camera shake in the  resultant images.

It folds up easily and packs away into my camera bag or backpack when travelling and on the Harley is easily stowed away.

The three following images give you the general idea and please ignore the  angle of the camera in the upright shot. I rushed the shot and didn’t check first that everything was spot on. A grave photographer’s error.

 

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THE D800 AND 24-70MM LENS SIT QUITE COMFORTABLY ON THE FOLDED TRIPOD.

 

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SITTING NICELY ON THE UNFOLDED MINI TRIPOD.
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FOLDED AND READY TO TRAVEL.

 

Hoo roo for now

HOW TO HAVE ‘FUN’ WITH A NEW CAMERA.

I’ve been an avid fan of the Nikon camera system since the early 1970’s and I’ve still got every Nikon camera and sense I have ever bought.

My first Nikon digital SLR was the D100 which I’ve since had converted to Infra Red with great  success.

The D100 was followed by the D200, D300, then a leap to the full frame D700, followed by the D800 and now the D810.

The D800 and D810 with their 36mp capacity producing large images with fantastic resolution.

Of course, with any new camera purchase I get the urge, finances permitting(read She Who Must be Obeyed) to add the latest lens as well.

Now all this great gear has one significant drawback for a photographer of advancing years and that is weight, of the cameras, not the photographer.

Without boring you with loads of detail, suffice to say that my D810 with my largest lens attached weighs in at a shade over nine pounds. The following image has a lighter lens attached but it’s still quite heavy.

Carrying that monster all day and hand holding it when shutter speed permits can be quite a strain.

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THE D810 WITH 70-200MM F2.8 LENS

 

A year or so ago I treated myself to a little Leica Dlux 6. It’s the ants pants of small digital cameras, shoots RAW, has Aperture and Shutter Speed priorities together with all the bells and whistles you can imagine from the Leica stable.

It’s light weight, fits in a pocket and produces great images, colour saturation second to none and its ergonomics are great. Did I mention its lightness.  I’ll mention it again, it’s really light and  Oh yes, it makes great images too.

 

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THE LEICA DLUX-6

I was really impressed with the little Leica and I began to research the Leica brand. Unfortunately for me, Leica DSLR’s and their lenses are far, far beyond the reach of my photography  budget.

However, all was not lost. I discovered that Panasonic produce a range of small cameras carrying lenses by Leica, algorithms by Leica and apart from some cosmetic changes, camera bodies by Leica.

The Panasonic models don’t display the red Leica circle but instead have an inconspicuous silver ‘L’displayed on the camera body.

I know it’s difficult to comprehend but two of the Panasonics have joined my collection. Firstly, it was the Panasonic DMC-LX 100.

 

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THE PANASONIC LUMIX LX100. NOTE THE SMALL L ON THE LOWER LEFT OF THE BODY.

This camera is another little ripper. It’s only drawback is the f8 aperture limit. That’s compensated for by the f1.7 aperture available at the wide end and like its Leica brother has a full range of controls available..

I just can’t speak highly enough about this little beauty. It’s served me well and has enabled me to produce some really great images.

The LX 100 is such a great thing that I felt compelled to recently purchase what Panasonic describe as their ‘Travel Camera.’

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THE PANASONIC LUMIX DMC-TZ110

This little beauty has an optical lens rage of 25-250mm and a maximum f stop of 2.8. Again, it’s light as a feather and similarly has full manual, aperture, shutter speed and all the other controls you would expect from a Leica based camera.

This is how the three tiny tots look sitting together.

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THREE LITTLE ONES ALL IN A ROW. ALL PHOTOGRAPHED TO SCALE WITH, DARE I SAY IT, THE NIKON D810 WITH ITS 24-70MM F2.8 LENS.

To say I’m having fun with my new camera is an understatement. I had a local printer copy the TZ110’s instruction manual that I’d downloaded from Panasonic. Copy authorised of course.

It’s a steep learning curve. The instruction manual runs to exactly 406 double sided A4 pages. Thank heavens there is no exam before using the camera.

My brain is definitely in top gear as I try to unravel the operating system and commit to memory the vital info required to get the best out of my ‘travel camera.’

As soon as I’ve produced some reasonable images you can expect to be deluged with the results.

This is a two edged sword. All my reading on the ageing process tells me that I have to exercise my brain on a daily basis. I’m not sure if this instruction manual will do the trick but I reckon that by the time i’ve reached the 80 year level I’ll know for sure.

Hoo roo for now

 

 

 

 

 

 

 

 

 

TWO SHEEP MAKING AN EARLY MORNING VISIT TO OUR FRONT GRASS

A few weeks back I woke to see a beautiful fox wandering across the grass at the front of our house.

This morning, just after seven AM I opened the blinds,  peered through the fog and there were two sheep grazing happily on our front grass adjacent to the remains of the morning’s frost.

By the time I grabbed the nearest camera and popped outside, the sheep had moved over to near the letter box, still munching away and doing a neater job than my mower.

I managed to grab a few images before the sheep moved on into next door.

I’ve no idea where they went next. By the time I’d changed out of my Jarmies into some warm clothes, put on some shoes and popped back out with the intention of rounding them up and holding them in the backyard they were nowhere to be seen.

Some time later I saw the Council Pound keeper and his van moving out of our street and in a short phone call later to the pound I learned the escapees were in custody, awaiting to be released to their owner.

So far this year we’ve seen an echidna, a couple of tortoises, lots of wild ducks, parrots of many types, a few individual kangaroos and of course the fox cross our front grass.

Not far away there is a small colony of emus so I guess it’s inevitable that the word will spread and they too will come to visit.

I certainly hope so.

Anyway, here are the sheep I’ve referred to.

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WHAT ARE YOU LOOKING AT.

 

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THE GRASS IS GREENER OVER THE FENCE.

Hoo roo for now.

 

 

 

 

 

 

 

SAYING GOODBYE TO MY WET PHOTOGRAPHIC DARKROOM

After considerable soul searching I’ve finally and irrevocably transitioned from the world of film to the relative ease of digital photography.

No more being tucked away for hours on end in my darkroom inhaling noxious gases from developer, fixer and the rest. Followed then by crouching over the light table to select the best negatives to print. Of course this usually resulted in only one or two from a complete negative roll being up to the standard I required for printing.

The part of working with film I enjoyed most was using my enlargers and various paper types to produce monochrome images for camera club competitions, exhibitions and just pure personal satisfaction.

I am fortunate that, separate from our house is my studio in its own little building. The studio contained my darkroom.

For well over a decade my darkroom had been my ‘Man Cave’.

The ‘Do Not Enter When Red Light is On’ sign on the darkroom door provided a realm of privacy and solitude not even possible in the bathroom.

However, the digital age caught up with me when I bought a little Canon point and shoot digital camera. Shortly thereafter,  Nikon, my film camera off choice, released their first digital SLR camera range.

I purchased a Nikon D100 and I was hooked.

At that time I was still a photography student at my local TAFE ( Technical and Further Education) College and there too, the transition to digital photography was gradually taking place.

When I left TAFE after nine years studying photography, their darkrooms had been closed and all photography courses were digitally based.

Fast forward to 2016.

My wet darkroom had  long been replaced by my digital darkroom located in my home office.

My wet darkroom had simply become a repository for motorbike spares, Landrover parts,  a ride on mower and its trailer, an old electric arc welder and other important bits and pieces that a bloke acquires over time.

Regrettably, I took the decision to close the darkroom and dispose of its total photographic contents.

I looked on Ebay and other internet sales venues and to my disappointment learned that sales of darkroom equipment had fallen into the doldrums. What now?

Through my contacts in the camera club movement I rapidly learned that there were many photographers like me trying to dispose of unwanted dark room gear and I concluded that I was destined to possess it all forever.

Over time I packed the contents in another part of my studio. Seven professional enlargers , chemistry, an electric heated print drying machine, a copy stand, easels, lenses, electronic timers, bulk film, bulk film loaders, film canisters, dark bags, various sized developing trays , print and negative washing equipment, tongs, measurers, digital timers, a full size electric negative drying cabinet, safety lighting kits, spare red glass, and other bits and pieces were moved.

The following two images of some of the equipment will give you a general idea of my disposal dilemma.

 

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SOME OF MY DARK ROOM EQUIPMENT EARMARKED FOR DISPOSAL.

 

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JUST ANOTHER VIEW WITH A FEW MORE GOODIES ON THE FLOOR.

I thought I’d investigated all opportunities until a chance conversation with a fellow photographer saved the day. He was involved in the arty world of one of the larger local high schools.

Their darkroom and its equipment had fallen victim to bureaucratic wisdom .

In the ensuing conversation I offered to donate all of my darkroom gear to the school and my offer was accepted on the spot. Not long afterwards and four car loads later, all of the goodies had found their new home.

Now, my ‘Man Cave’ contains part of my library, some easy chairs, gas heating, great lighting and carpeting. A fine outcome all round.

So , hoo roo for now.

 

 

 

 

 

 

 

 

PARTING COMPANY WITH OLD T SHIRTSH

_DSC4595   I know it’s normal for a bloke to accumulate T-shirts and I certainly fall into that category.

However, should one become a motorcyclist and over time become the proud owner of say, a Triumph, a BMW or a Harley Davidson, each of which are associated with specific owner T-shirts , then things soon change on the T-shirt collection front.

I speak from experience having owned a selection of those particular bikes over the years, including one Suzuki and one Honda.

Owning the first three mentioned bikes in particular creates the inevitability of joining the riding club associated with the marque.

There is for example the Triumph Riders for Trumpy owners, the Ulysses Club for any marque, the BMW Club, the BMW Safarys, both obviously for Beemers and of course, the Harley Owners Club, known as HOG

I’ve been a member of the Harley Owners Group for 24 years now, with the associated exponential increase in my Harley T-shirt collection.

The same goes for the Ulysses Club although their T-shirts remain basically static in colour with the copyright ‘Grow Old Disgracefully ‘ logo . These two factors effectively create a much smaller desire to purchase. Of course a number of the Ulysses shirts are,or were, in my collection.

During our BMW ownership days, we attended every BMW Safari and received the specific T-shirt as part of our participation fee.

We joined the BMW Touring Club as well and added their T-shirts to our collection.

However, our HOG membership is a totally different story.

We are both Life Members of HOG International and belong to two Australian HOG Chapters, with off course the relevant distinctive Chapter T shirts.  Naturally those T-shirts change from time to time and are rapidly acquired in order as they say in the military, to remain Regimentally Dressed.

Every year, each Australian State is the venue for a State HOG Rally with its signature T-shirt included in the attendance fee.

Then there is the annual National HOG Rally with its own signature T-shirt, also included in the attendance fee.

But that’s not the end of the HOG T-shirt experience. Every Harley dealership world wide has its own specific range of T-shirts featuring imagery and wording relating to that dealership and its surrounding countryside.

Of course they are irresistible and fall into the ‘Must Have’ category.

Every T-shirt becomes a prized collectors item and more importantly, secures bragging rights wherever HOG members gather, particularly if the wearer’s T-shirt is unique.

Now all that guff is important, but, there comes a time in every motorcyclist’s life when his ‘Significant Other’ alerts him to the fact that there is no more drawer, cupboard, cardboard box or plastic garbage bag space available in the house, garage or shed.

Accordingly, as a sensitive news age guy(SNAG), when this dreadful state of affairs was recently and dramatically(no need for further description) brought to my attention I took the decision that the local Opp Shop would be the recipient of any T-shirt I could bear to part with.

Now as is the custom in this modern technological age, I took to Google for guidance.

There I learned the correct process to follow in the disposal of valuable artefacts and it has worked perfectly for me. I’m sure it will for you too when and if the need arises.

Firstly, you designate proposed Heaps according to the following formula:

1   MUST KEEP.

2   SHOULD DEFINITELY GO.

3    COULD GO.

Completing Heap number 1 is relatively simple to achieve. Even your ‘Significant Other’ recognises the continued importance of the T-shirts in Heap number 1.

Heap number 2 is slightly more difficult however. Significant fading, shrinkage, minor damage or no longer possessing the bike to which the T-shirt refers greatly assist in this phase of decision making.

I should point out at this juncture that Heap number 2 is where input from your ‘Significant Other’ really locks in place and that advice should, no, must be taken into account at your peril.

At this juncture I must point out that decisions relating to Heaps 1 and 2 are irreversible and binding on all involved parties.

Heap number 3 is where the major problems arise and again it is where Google provides sage advice.

When no further T-shirts can be discovered or found anywhere in the vicinity and all tidying up and Heap allocation has been completed, all work on the Heaps must cease for a minimum of 24 hours.

This in non negotiable.

Then, when the 24 hour truce has passed, Heap number 3 again becomes the centre of attention.

Significant T-shirts that have found their way into Heap number 3 are permitted, without rancour, to be removed and placed into Heap number 1.

When that process has been completed, should anything remain in Heap number 3, the  remainder must be combined with Heap number 2, be bagged up securely and removed forthwith to a place of safety, prior to prompt delivery to the designated Opp Shop.

It’s always difficult to say goodbye. It’s simply amazing how inanimate objects can attain such intrinsic emotional value in the human psyche.

However, I did manage to sneak photographic images of the final content of Heaps 2 and 3 and those images follow.

So there we are. No captions on the images required.

Hoo for now.

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AUSTRALIA’S NATIONAL BROADBAND NETWORK

Some years ago, our Commonwealth Government, with a blaze of publicity , took the decision to install underground fibre optic cable across the nation to speed up our capacity to access the internet.

Presently, the connection to the net is via the copper cabling used for the telephone service, that is, unless you live in remote parts of Australia where satellite connection is the norm.

As the fibre optic cabling installation costs continued to rise the decision was taken to undertake what is known as,’Cable to the Node.’

It seems that ‘the node’s a location amongst a collection of dwellings where the fibre optic cable will terminate. The dwellings will then be connected to the node via the existing copper cable network.

Many people are have a whinge about their  perceived slowness of the installation of the cables.

However, my current experience with the NBN operatives is the complete opposite.

I’m totally amazed at the speed with which they work, their friendliness and the information they have provided to me.

As an example, yesterday morning( Friday 8th April in the Land of Aus) I saw a group of NBN workers taking measurements along our boundary, making small identifying marks on the grass and leaving the odd witches orange hat. In response to my inquiry I was informed that they were checking for the location of pipes, electricity cables and the like prior to installation of cable.

I immediately imagined a whopping great trench across our front grass, disturbance to our underground irrigation system and great piles of dirt left after backfilling had been completed.

Not so the boss man told me.They intended to bore from their main access points to a spot on our property, a distance of over 200 yards.

I thought it would take forever. How wrong was I. The boring began some time after 3pm or so and within the hour the work was finished. No mess, no fuss.

Shortly after, the cabling was passed through, the heavy machinery was driven away and I assumed the day’s work was done.

Wrong again, just after dark I noticed a workman busy at the trench.

Just after 7pm I answered a knock at the door and there was thew workman to inform me that he had backfilled the trench so our yard didn’t look unsightly and with a smile said the crew would return on Monday to finish the installation.

If every household has my experience with an NBN crew, they certainly will have nothing to whinge about.

Here are a few images made with the iPhone:IMG_0596 copyThe trench with the steel feeder pipe in place.

IMG_0599 (1) copyPart of the heavy equipment.

IMG_0601 copyThe mighty boring machine.

IMG_0597 copyCreating the trench.

IMG_0602 copyInserting the cable.

IMG_0604 copyThrough she goes.

IMG_0603 copyWaiting for next Monday.

IMG_0598 copy.jpgThe NBN boring rig is amongst the machinery you can glimpse in the far background. Nothing was disturbed across our frontage as the machine did its work.

Hoo roo for now

 

 

 

 

A FOX MAKES A QUICK VISIT TO CASA CREAKINGBONES

Every morning just after daylight, a horde of magpies descend into our backyard and their delightful calls prompt us to boil the billy and have a cuppa.

About 6.15am yesterday(Sunday), the magpies went into a frenzy, zooming down across the front yard at high speed, a yard or so above the grass.

Their quarry, a large fox.

The maggies had the fox totally rattled as it tried to dodge their bombing.

My iPad was handy and I took the following images through the window pane and the fly screen. The fox was in full flight and hows I managed to get the shot was more good luck than good management.

No sooner had the fox sped out of view the magpies returned to the back yard to await their breakfast of stale bread.

It’s incredible how well the iPad made the first two images, considering the fox was in full flight, I was panning the shots, the window was a closed and the fly screen mesh further obscured the view.

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One of the Casa Creakingbones guardians. Taken with my Nikon D810.

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Hoo roo for now.